Alchemical Dragons

In addition to vessels and other chymical equipment found in early alchemical manuscripts, one may also find many animals depicted. Among the creatures we find in such alchemical bestiaries the Dragon is perhaps particularly intriguing due to its fantastical nature. This dragon takes many forms; that of a serpent without legs, sometimes winged, even biting its own tail as in the namesake of Ouroboros Press. [click on the images for a larger view].

Sloane 1171, 2nd half of the 16th century

Sloane 1171 in the British Library has very lively illustrations of dragons, one in particular takes on a  shape familiar to that which appears in the Ripley Scrolls. This twisted neck design perhaps influenced these other two-headed dragons to follow  in the images below.

While doing research related to my work on the Theatrum Chemicum Britannicum, I noticed that dragons were a theme which arose several times in the engravings accompanying the text. Indeed  there are no less than 5 dragons in Elias Ashmole's important collection of English alchemical texts. 

Harley 2407 in the British Library shows some of these dragons in manuscript illustrations later copied by Robert Vaughan for use in Theatrum Chemicum Britannicum.

Harley 2407, second half of the 15th century

Vaughan. Theatrum Chemicum Britannicum 1652

 

Harley 2407, second half of the 15th century

Vaughan. Theatrum Chemicum Britannicum 1652

Originally these manuscripts were collected by Elias Ashmole who sought to preserve the alchemical lore therein by publishing the material in the Theatrum Chemicum Britannicum. In doing this he did a great service to posterity and as the engravings he commissioned by Robert Vaughan show, he did it elegantly. It is in this spirit that Ouroboros Press seeks to manifest its next publication which is a corrected edition of the Theatrum Chemicum Britannicum.  The new edition will feature two important improvements. The first of these improvements is that by utilizing the original errata information provided by Ashmole, we were able to correct the errors in the original edition according to his intentions. Second, and this is integral to effecting the first, the entire text will be typeset in a classic typeface which may easily be read by contemporary audiences.

The Serious Joke: Two Book Launches

Ouroboros Press is releasing the first English translation of Michael Maier's Jocus Severus. Rendered into English from the original Latin by Darius Klein, the work has also been illustrated and ornamented by Benjamin Vierling. Issued in three distinctive editions, the Jocus Severus features a folding plate titled Alchemical Aviary as a frontispiece. Along with the standard trade cloth edition, the book will also be available in finely bound leather and vellum editions, the latter being strictly limited in number.

Seriously? Two Book Launches? You Must be Joking?

Actually no, we're not joking this time! So before you give us up for the birds here are the details:

San Francisco Book Launch with 
Artist Benjamin Vierling

5 March 2011 8:00 pm

 Fields Bookstore

1419 Polk Street San Francisco, CA 94109 (415) 673-2027

Seattle Book Launch with 
Translator Darius Klein & 
Bookbinder Joel Radcliffe
12 March 2011  8:00 pm

Rodriguez Guerra Art Studio

80 South Washington Street

[betweent First Ave South & Western]

Seattle, Washington 98104

For those of you unable to attend who would like the purchase a copy of the book, we are still offering free shipping on orders which come in by March 15th. This includes foreign countries as well. Paypal funds may be sent to this address: ouroboros@bookarts.org

Please include a note stating which edition[s] you would like and give your full shipping address.

Born in Germany, Count Michael Maier served as the personal physician to the Bohemian Emperor Rudolph II, as well as pursued a career as an alchemist. He is well known due to his masterful emblem book; Atalanta Fugiens, which was a blend of alchemical, mythological and musical elements. But Maier wrote other alchemical books and Ouroboros Press is very pleased to be offering the first English translation of his veritable conference of the birds;  Jocus Severus. 

This alchemical text employs allegory in an entertaining dialogue between several species of birds who are determined to defame the Owl with wordy complaints. The Hawk acts as the Owl's defense while  the Phoenix acts as final judge and arbiter over this 'conference of birds.'

Rendered from the original Latin of 1617 by Darius Klein this edition features original lllustrative material by Artist Benjamin Vierling, including a folding plate depicting all the species of birds involved in the alchemical dialogue.

As is our tradition at Ouroboros Press, the entire text has been reset with an eye to detail not common in contemporary publishing, where one often encounters poor facsimile reproductions. 

The book is issued in three formats:

Imperial Vellum Edition. Hand bound with raised spine bands in full vellum with leather spine label, gilt title and device. Vellum headbands, marbled endsheets and a silk book marker complete this fine binding. [135 pages] aviary folding plate and illustrated with ornamental head and tail pieces.

Athenian Wisdom Edition: Strictly limited to 25 copies  $225.00

Deluxe Leather Edition. Hand bound with raised spine bands in full black goat and red leather spine label, with gilt title and device. leather headbands, marbled endsheets and a silk book marker. [135 pages] aviary folding plate and illustrated with ornamental head and tail pieces.

Noctis Black Owl Edition: $150.00

Trade Cloth Edition. Sewn in full cloth with stamped title and device. Letterpress printed dust jacket, [135 pages] aviary folding plate and illustrated with ornamental head and tail pieces.

Fine Press Trade Edition: $45.00

Layout for the Letterpress printed dust jacket intended for the Fine Press Trade Editions

Fine Press Friends

Reuniting with a great friend at the CODEX Foundation Book Fair in Berkeley. 

Catherine is the driving force behind May Day Press and was my first letterpress teacher! Back then she lived on an island, and each Sunday I would take a reflective ferry ride across Puget Sound for my lessons in her print studio. There is nothing like the meditative relaxation of setting type by hand, especially when you have a knowledgeable and wonderful friend to converse with. During other quiet times I'd gaze out the window at her garden where we would be eating lunch later.

The above is the most recent May Day Press book Mother Time.

2010 Esoteric Book Conference

EBC administrators William J. Kiesel, Michael Kolson & Catamara Rosarium

 

In 2009 Ouroboros Press publisher William Kiesel founded the Esoteric Book Conference to provided a venue for scholars and contemporary exponents of esotericism to give talks, show esoteric art and most importantly hold a book fair where new and antiquarian books in the field could be showcased. The 2nd annual conference was a great success and it has now secured itself as an annual international event.

The presentation hall

JD Holmes offering books from several European publishers

Richard Kaczynski signing copies of the new edition of Perdurabo: The Life of Aleister Crowley

Robert Ansell publisher at Fulgur & John Coughlin of Waningmoon browsing

Ros, Robert and Barry Hale

David Beth signing copies of Voudon Gnosis

Michael Staley from Starfire Publications

Charles Krafft browsing at Ajna Bound's table

William greeting Clint Marsh publisher at Wonderella Printed

 The photographs were taken by Carlos Melgoza and the complete set may be viewed at the Anima Nocturna blog.

Tabula Lunarium

Ouroboros Press celebrates the Equinox with Viatorium Press by issuing the TABULA LUNARIUM being a broadside of the Table of the 28 Lunar Mansions with cognate references. Compiled by Ouroboros Press and printed letterpress on dampened paper by artist and printer Joseph Uccello on old world equipment. This printed table spearheads forthcoming collaborative work between the two presses on a grimoire of lunar praxis.

Joseph sizing up one of the prints which rests upon the Vandercook press which gave birth to it.

The imprint of the ink in the paper is distinctive due to the dampening of the paper prior to printing.

Several recently printed pieces laid out to dry.

Brief Explanation of the Lunar Mansions

The Lunar Mansions are arcs of 12 degrees, 51 minutes, which divide the ecliptic up into 28 stations and mark the motions of the moon during a lunar month.

These mansions comprise the Lunar Zodiac used in ancient times by Arab, Indian and Chinese astrologers. Each of these systems had their own names for the mansions which are; Manazil [Arabic] - Nakshatras [Indian] - Sieu [Chinese]. There are very slight variations between these 3 systems, and these are cleared up by the use of fiducials [from the latin, faith - fixed points in the sky - often fixed stars, which are used as a basis of comparative measurement].

It was the Arabic system, which had the greatest influence on the West via the Moorish-Spanish lore exchange and the Hermeticism of magicians such as Giordano Bruno and Marsilio Ficino. Of course one may find these mansions among the Three Books of Occult Philosophy of Agrippa, which is where Francis Barrett took them for use in his book the Magus.

Each mansion has its individual influence, which is transmitted to sublunar creatures by the Moon. Magical images, angels, metals or stones, suffumigations or incenses were among the correspondences applied to them.

In the astrological magic found among grimoires such as the PICATRIX, the idea was to invoke the angel of the mansion when the moon was in the correct station while burning the incense and visualizing the magical image in order to create various talismans or add specific lunar influence to other magical workings. In this same manner one may request the knowledge over those things which the angel of the mansion has jurisdiction.

TABULA LUNARIUM

The Tabula Lunarium is in the tradition of magical calendars wherein various systems of correspondence in the esoteric tradition were delineated in visually pleasing and ingenious printed broadsides. In addition to the name and number of each mansion, the table also includes the zodiacal sign and degree of occurrence as well as featuring the eidolon of Sahariel the archangel who teaches about the lunar mansions. Simultaneously a practical and magical piece of ephemera.

Measuring 12.5 x 19 inches the Table is printed letterpress on dampened Rives Heavyweight paper in an edition of 100 copies only.

$45.00 postpaid. Ordering Information

We also have letterpress printed broadsides of the Emerald Tablet of Hermes.

Alligators and Alchemy in Cabinets of Curiosity

Please join esoteric publisher William Kiesel for coffee and a presentation on Wunderkammern and Alchemy in the appropriately wonderful and odd surroundings of Ancient Grounds Cafe and art gallery.

The Curiosity Cabinet was the forerunner of the contemporary museum. But before public museums existed worldly collections took the form of the Kunstkammer, or art cabinet that was often the privilege of royalty alone. During the Renaissance such collections were filled with natuaralia, artificialia, scientific devices and other art treasures. William Kiesel will give a brief visual presentation displaying some early examples of Curiosity Cabinets and discuss the similarities they share with alchemical laboratories. The slide presentation will take place in one of Seattle’s finest Curiosity Cabinets; Ancient Grounds, where many wonderful objects from around the world, including tribal art, mineral specimens, Japanese and Native American masks, totem poles, intricate architectural carvings, kimonos, articulated skeletons, headdresses and other displays may be viewed while sipping excellent espresso or other beverage before during and after the talk.

What: Visual presentation by Ouroboros Press publisher William Kiesel
Where: Ancient Grounds Cafe
When: March 20, 2010 1pm - FREE [Happy Equinox]

Ancient Grounds Cafe and Art Gallery
1220 1st Avenue
Seattle, WA 98101-2911

Event capacity: 75 – 95 sitting & standing. If you would like to R.S.V.P. click here.



This event is in cooperation with Atlas Obscura and is one drawer in their international showcase of Obscura Day.

Emerald Tablet of Hermes

Tabula Smaragdina Hermetis, perhaps better known as the the Emerald Tablet of Hermes, is the shortest and yet most refered to text in the whole of the alchemical corpus. Supposed to have been found engraved upon an Emerald, this hermetic document has been beautifully typeset in Centaur [a font designed by Bruce Rogers] and printed letterpress on fine Arches paperstock in two colors.

An alchemical emblem crowns the top of the broadside and features the enigmatic acrostic V.I.T.R.I.O.L., which was a substance used to pull metals out of hard stone by early metallurgists. The Latin translates as Visit the interior of the earth and through rectification you will find the hidden stone meant to point the way to the Philosopher's Stone.

Limited to 250 copies only this broadside is 13 x 18 inches and is suitable for framing. Let the words of Hermes Trismegistus adorn your library or laboratory. $25.00 postpaid, Ordering Instructions.

The Goal of the Wise Complete!

Ouroboros Press is very pleased to announce that Volume Two of the Picatrix is now complete. We have received many words of encouragement and praise from our readers during this project and we thank you all for your kindness and interest.

Picatrix Volume Two contains the 3rd and 4th books of Ghayat Al-Hakim and will complete the English translation. It is a larger book than volume one and contains much in the way of the practical working of astral and talismanic magic. Planetary and Zodiacal magic and full instructions for invoking the related spirits are provided along with all the requisite materials needed; stones, plants, inks, colors, incenses, talismans and the invocations.

In addition to this are many anecdotes relating to Arabic and pre-Islamic magical lore, including the writings of Ibn Wahshija, the Nabataeans, Sabians, Chaldeans and Assyrians. Of particular note is the magical plant and mineral lore from the Nabataean Agriculture, which portray ancient practices of pagan Iraq.

The influence of the Picatrix can be seen in several texts of well-known authors of the western esoteric tradition, including Ficino, Mirandola, Abano and Agrippa, whose works have played a major role of forming contemporary manifestations of the esoteric tradition today.

The book will be issued in the same format as volume one:

Deluxe Black Leather edition:
Full black goat leather, Hand-bound with raised spine-bands and gilt titles, silk ribbon bookmark and marbled endsheets, from the fine binders at Ars Obscura Bookbinding.
[500 copies only]: $150.00

Trade Cloth edition:
Full cloth with gilt spine title and printed dust jacket.
[1,000 copies only]: $60.00


A very limited number of copies of volume one were issued in burgundy leather and slipcases. If you own one of these copies you may contact us if you would like a copy of volume two to match. We are only issuing these to owners of the original bindings. This is also the case for Vellum copies. Contact us for details.


Please allow 2-3 weeks for delivery [handbound editions, allow 4-6 weeks].


Ordering Information



Paypal payment may be sent via their website [http://www.paypal.com]: [send funds to: ouroboros@bookarts.org]


Shipping

We wrap our packages securely for safe shipping.

Domestic Shipping within the US is $6.00 for up to two books.

International Shipping is $12.00 for up to two books.

Please allow 2-3 weeks for delivery [handbound editions, allow 4-6 weeks].

Bookshops: We offer standard trade discounts on the Trade Cloth editions only. Contact us for details on shipping.

Theatrum Chemicum Britannicum

Corrected Edition: A Treasure House of English Alchemical Poetry

*UPDATE: More details about this project here!*

Does Elias Ashmole need an introduction? Being a Hermetic Philosopher and Antiquarian, Ashmole's literary eye recognized the richness of the royal art expressed in the poetry of English alchemists. His monumental Theatrum Chemicum Britannicum gathered together several of the finest examples of a flourishing alchemical tradition.

Ouroboros Press Corrected Edition

The original edition of Theatrum Chemicum Britannicum was produced in London 1652 by J. Grismond for Nathaniel Brooke. The task of printing such a large tome [nearly 500 pages] was tremendous and required many laboring hands to set the lead type, cut the engravings and print the pages. While printing houses often had numerous sets of typefaces, it was often necessary to redistribute the type in order to have enough of the face to print subsequent pages. Inevitably mistakes would be discovered before the rest of the book was actually printed. Thus it was common practice at the time for the foreman of the presses to keep a record of the errors so that these could be printed at the end of the book in an effort at correction. This 17th century example of the errata sheet survived and forms the basis of the present edition.

The Theatrum Chemicum Britannicum is an important collection of Alchemical material which encompasses many authors of the Hermetic Tradition and deserves to be in print to this day. A useful facsimile edition was to be had back in the 70s and it was better than the cheaply produced photocopies of the same available in recent times, yet both fail to make corrections to the original printer's typographical errors despite the errata clearly printed in the rear of the text. The Ouroboros Press edition of Theatrum Chemicum Britannicum is entirely reset in historical typefaces and features the Complete Corrected Text.

This is Fine Esoteric Bookarts at its best. An edition Elias Ashmole himself would be proud of; A Treasure House of English Alchemical Poetry!

Theatrum Chemicum Britannicum

Table of Contents

1. Prolegomena. Elias Ashmole.

2. Ordinal of Alchemie. Thomas Norton. [*6 illustrations].

3. Compound of Alchemie. George Ripley. [*folding plate: Ripley's Wheel].

4. Pater Sapientae. Anonymous.

5. In the Name of the Holy Triniti. [*2 illustrations].

6. Hermes's Bird. Anonymous. [*1 illustration].

7. Chanon's Yeoman's Tale. Geoffry Chaucer. [*illustration].

8. Dastin's Dreame. John Dastin.

9. Pearce the Black Monke upon the Elixir.

10. Richard Carpenter's Worke.

11. Hunting of the Greene Lyon. Abraham Andrews.

12. Breviary of Natrurall Philosophy. Thomas Charnock.

13. Aenigmaes. Thomas Charnock.

14. Bloomefields Blossoms. William Bloomefield.

15. Sir Edward Kelley's Worke.

16. Sir Edward Kelley to G. S. Gent.

17. Doctor John Dee's Testament.

18. Thomas Robinson of the Philosophers Stone.

19. Experience and Philosophy. Anonymous.

20. The Magistery. W. B.

21. Anonymi, or several Workes of unknowne Authors. [* 2 illustrations].

22. John Gower upon the Philosophers Stone.

23. George Ripley's Vision.

24. Verses belonging to Ripley's Scrowle. [*1 illustration].

25. Mystery of the Alchemists.

26. Preface to the Medulla. George Ripley.

27. A Short Worke. George Ripley.

28. Secreta Secretorum. John Lydgate.

29. Hermit's Tale. Anonymous.

30. Description of the Stone. Anonymous.

31. The Standing of the Glasse. &c. Anonymous.

32. Aenigma Philosophicum. W. Redman.

33. Fragments.

34. Annotations and Discourses. Elias Ashmole. [* astrological chart].

35. Table of Obscure & Obsolete Words.

 
Stout Octavo. Letterpress dust jacket. 500+ pages entirely reset in Williams Caslon Text. 
Engraved illustrations, woodcut ornaments, fleurons and folding plate. 


Festina Lente Alchemical Series
Release Date: 2011

About the Publisher

William J. Kiesel is the publisher and editor of Ouroboros Press which has been operating since the turn of the current century. His long years in the antiquarian and esoteric book trade gave him access to rare books and manuscripts not generally available to the public. William has cultivated a lifelong care of books and has involved himself in every aspect of bookmaking, from bookbinding and typography to handset letterpress. Today he works with translators of Arabic, Latin, and German to provide rare texts to the English speaking world.

William Kiesel is a member of the European Society for the Study of Western Esotericism. ESSWE Website


In addition to his work as a publisher and editor, William gives presentations on Alchemy and the Western Esoteric Tradition. His practical experience and historical knowledge of occult literature and culture spans two decades and draws from such diverse areas as Hermeticism, Neoplatonism, Qabalah, Thelema, Alchemy, Rosicrucianism, Theosophy, Near Eastern Esotericism and Ceremonial Magic. Esoteric symbol systems in religion, mythology and folklore are among his objects of continual study in historical and contemporary contexts. He is a natural teacher and good orator with the distinct talent of making the enigmas of esoteric symbolism clear to the curious.

A few presentations given in recent history:

-The Royal Art: Introduction to Alchemical Symbolism
-Atalanta Fugiens: Alchemical Music in Renaissance Hermeticism
-Iconography in the Western Esoteric Tradition
-The Alchemical Bestiary: Animal Symbolism in Renaissance Hermeticism
-The Circle of Arte: Magic Circles in European Grimoires


Listen to an interview with William on the Occult of Personality website or read an interview with him on Reading Local Seattle. Emily Pothast wrote a few kind words on her blog Translinguistic Other as well.

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